Poetic
Licence "
. . . call a poet up today Neat of rhyme, tidy of diction, precise of cadence and inventive of form, Martin Newell is a poet you can invite into your home on any occasion, secure in the knowledge that he will not baffle or patronise you. His intention seems merely to entertain. It's only when you've ushered him past the Ikea dado-rail, the Astrohome CD-holder and the Littlewoods catalogue wallpaper that you'll notice the menacing teeth, and the satirical talons that are sunk deep into your own pretensions as well. Newell's
poems are light verse at its most intelligent, smartly- crafted, pissed-off
extreme. Since he began writing for The Independent, where he is now Canary
Wharf's unofficial Poet Laureate, his subjects have moved from the disgustingly
personal (like "I Hank Marvinned", a sordid confession of the
solitary act with the tennis racket) to the disgustedly political ("The
Great Beef Scare of '96") along with a hundred obsessive excursions
into the more foolish rings of the rock 'n' roll circus. Whether he's
being politely formal with Jarvis Cocker and Michael Jackson, slangily
Essex with Karen and Darren or sleekly regretting the down-grading of
Hell ("Do something wrong, it got redressed. A red-hot triton up
your vest"). Newell is an original, a card and a caution. . . . John Walsh, The Independent 1996 |